Mignolo, Walter. “Decolonial Aesthetics: Unlearning and Relearning the Museum Through Pedro Lasch’s Black Mirror/Espejo Negro.” Unpublished manuscript.
Abstract: Pedro Lasch’s Black Mirror/Espejo Negro explores decolonial aesthetics by challenging traditional museum narratives. The installation reverses observer-object roles, urging viewers to unlearn colonial perspectives. It juxtaposes Mesoamerican and European imagery, revealing power dynamics and histories erased by Western narratives. The artwork critiques imperial representation and fosters epistemic disobedience.